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English Church Architecture.
QUIDENHAM,
St. Andrew
(TM 029 877),
NORFOLK.
(Bedrock:
Upper Cretaceous, Upper Chalk.)
One of 181
churches in England with round towers, of which all but five are in
Cambridgeshire (with 2), Essex (with 6), Norfolk (with 126) or Suffolk (with 42).
Round church towers were
almost invariably assumed by Pevsner to have a Saxon or Norman origin.
That is not necessarily the case, and the form is a function of geology rather
than age, for the lack of the ready availability of good building stone to serve
as quoins made this a cheap design option by avoiding the expense in the
pre-railway age of bringing, usually by horse and cart or at best along the
rivers by boat, heavy, bulk materials from afar. The definitive book on
this subject is, and is long likely to remain, the late Stephen Hart's The
Round Church Towers of England (Ipswich, Lucas Books, 2003), to which the
notes on these buildings are inevitably, to a greater or lesser degree,
indebted.
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Here is another church within a few miles of
Diss, distinguished by another round tower with an octagonal belfry, about
which both the church guide and the 'Northwest and South Norfolk' volume of The Buildings of England
(Nikolaus Pevsner & Bill Wilson, New Haven & London, Yale University Press,
1999, pp. 596-597) are typically
misleading. Of the round lower stage, Pevsner or Wilson wrote, 'Is this... Anglo-Saxon, or
early C12? It could be either.' Yet Stephen Hart cleared this
up at once by observing that the 'coursed flints in the nave west wall [and the courses are sharply
defined] match exactly and align with those in the fillet and tower wall',
thus showing the tower and the nave to be part of the same build and so
dateable by the nave's Norman N. doorway. In addition, the tower cuts
into the nave and, besides, the age of the tower is surely evident anyway
from the tall round arch to the nave, which is supported only on abaci with
chamfered under-edges, with no responds to the jambs below. The
octagonal bell-stage appears to be early Perpendicular judging from the
bell-openings in its cardinal faces and its mock flushwork bell-openings in
the ordinal directions, all of which have the straightened reticulation
units typical of the late fourteenth century. Thus, since there is no
evidence of blocked bell-openings in the round part of the tower (the
blocked round windows are much too low ever to have served that purpose), it seems reasonable to assume this bell-stage
replaces an earlier one. The shingled spire, for its part, is known to
have
replaced a former, taller one in 1867, although major work had to be done on
it again in 1930.
The
rest of the church consists of a chancel with a cross-gabled organ chamber
to the north, and a nave with a S. aisle and porch. The most important
feature in the nave is the Norman N. doorway (left), composed of two
orders - the inner, unmoulded and supported on abaci
with chamfered under-edges, and the outer, bearing two rolls separated by a
hollow, supported on shafts with leaf volute capitals. This is twelfth
century work but it seems difficult to be more precise. The windows are
predominantly Victorian but
the aisle W. window appears
largely original. In fact, there is a tradition that the S. aisle was
once part of Buckenham Priory, three miles to the northeast, which was
subsequently dismantled and brought here for reassembly after the
Dissolution, thus accounting for the flushwork on the buttresses. The
porch is now largely Victorian also, but the outer doorway could be re-used Decorated work, with its
hollow-chamfered outer order and an inner
order with wave mouldings. The S. arcade (illustrated left, viewed from the west)
is formed of four bays of double-hollow-chamfered arches springing from
piers of quatrefoil section with additional little quadrant mouldings in the
diagonals. This is an early fourteenth century form but it is
difficult to know whether even the design of this work can be trusted since
the piers, at least, have been renewed, albeit the responds at either end
seem to be mediaeval. These differ from the piers in being formed of
single
semicircular shafts, which support the inner hollow chamfer of the arches
above but which allow the outer hollow chamfer to continue uninterrupted
down the jambs. The chancel arch has been renewed but, again, the arch between the chancel and organ chamber
could be original. The chancel itself has a triple sedilia with bays
of equal height, recessed in the S. wall, and a piscina to the east of that. The E. window has a niche
on either side, which are
certainly old, as are the keeled shafts that support the roll moulding above.
Four short shafts with volute capitals, re-set in the chancel N. wall, are
reputed to have come from the base of a Norman font.
[Other churches with round towers featured on
this web-site are Bartlow and Snailwell in Cambridgeshire, Roydon,
Rushall, Shimpling and Thorpe Abbotts in Norfolk, and Aldham, Brome, Hengrave, Higham,
Little Bradley, Little Saxham, Rickinghall Inferior, Risby, Stuston, Theberton,
Wissett and Wortham in Suffolk.] |